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Improved synchronization between Avid media and Adobe Creative Cloud Libraries. You no longer need to monitor your media in real time for it to sync to Creative Cloud Libraries. Thanks to Avid’s long-standing integration with Creative Cloud Libraries, it happens automatically.
Media Cache can now store all the media associated with a source in a single folder. This makes it easier to locate audio or video in Avid media. Plus, if you ever accidentally delete a file, you can recover it by simply deleting the Media Cache folder.
Inline Edit includes an extensive set of tools for editing MIDI, audio, MIDI effects, audio effects, video, and video effects. In addition, you can preview and save audio and MIDI clips and preset content. You can also add new content to Favorites. Plus, Patched Avid Pro Tools Version can be synchronized to all other Creative Cloud Libraries. Now you can work with your library from any computer you have connected to your Creative Cloud account.
Main menu in the project window is now much more usable. And you’ll notice that the items are grouped into categories to help you get to the tools you need for a project faster. Previously, the categories were tabbed individually. This made for a cluttered window.
You can now change the color of the Action Editor toolstrip. Plus, the toolstrip now works when multiple windows are open, so you can drag the entire toolstrip to the left side of the work area. You can even drag a tool to move it to a new work area.
As you may know, there are no changes for those of us that stream on the big screen with Dolby Atmos and Pro Tools 10, which we call Hybrid DSP mode. But, in addition to updating the rendering parameters for Hybrid DSP mode, Pro Tools 10 also adds a new option for those of us who stream at local or remote venues. In addition to its own remote control app, Pro Tools now lets users choose between 2 or 4 RGB LED Lightstrip combinations and can be personalized with up to 8 different color themes. This lets you create different lighting setups for each show, or hook up a laptop with its own set of lights for those crazy studio sessions.
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Pro Tools is a more sophisticated, professional take on the software that debuted in versions way back in 2001 in the early days of the MP3 format and the first commercial version of Windows. For those who have been doing audio professionally for a while, Pro Tools 2 (and, later, Pro Tools 3) were already powerful enough for most projects, but those who have been in the business for a while may still remember the early days of the ProToolsMax series (which ended at Pro Tools 5) when the program was still known as Macromedia Studio, and those who have been doing audio for a while may remember its transition to Avid’s name. The version that debuted in Windows XP was a stripped-down version of the then-two-year-old Final Cut Studio, which, despite its shortcomings as a general-purpose audio and video editing program, was still miles ahead of Pro Tools 2, which was still bundled with large, expensive editing systems, and as a result of the move, brought more than a few fans out of the closet.
Pro Tools for Mac has continued to evolve, more than its Windows version, which has morphed into more of a proof-of-concept program than a serious DAW. Professionals (and, increasingly, hobbyists) may still like the ease of the mouse as a tool in Pro Tools, but digital audio workstations have become increasingly dependent on the keyboard for any serious recording work.
Each track can be configured as a master or a slave to the Main, so you can put any of your tracks as you need them and the rest never become active. If you want to keep multiple versions of something in a single session (say, you’re mixing a pass and a track out), you can do so in Pro Tools even if they have the same name. Tracks can also be assigned Pan/Sends to specific faders, making it easier to dial things in. You can also lay tracks out however you like, including in the often-cited Vee with a friendly row countand they trackable.
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The audio plug-in bundle is much better than ever, with the new on-board, fully 32-bit floating-point audio engine supporting 64-bit processing, allowing you to take advantage of the processing power of your GPU (graphics processing unit, usually a Tesla) to get some extra speed. Automap, the industry-standard technique for easily navigating synth patches, has also been made available. For editing, Avid ProTools 9.0 features a revamped interface and a more streamlined system for editing to make it easier for even new users to get to the work they want.
As for editing, Avid ProTools 9.0 has a new layer-based timeline, an updated editing system, a new assistant, improved image correction, and many new features. Layer-based timeline allow users to view their tracks in ‘layers’, so you can see how they interact and have an easier time working with multitrack sequences. The new Assistant is a handy virtual instrument and effect plug-in, letting you hear sample-based instruments with automated looping and automatic effects. Image correction includes de-haloing, random noise, and the new Intelligent Curves Image Correction feature, which can remove noise and adjust the pitch or brightness of specific areas on the image. The company’s new DeNoise plug-in for ProTools now uses super-fast technology to process data by combining up to 16 disk-based filtering methods while disabling artifacts in areas that contain data.
Its new mastering tools include an accurate, authoritative Metric Grid, a plug-in-based mastering suite that includes Spectral Balance and In-Band EQ, Peak Limiters, Dynamic EQ, and others, and an accurate Time Stretch plug-in that performs very similar to the 4D Track plug-in from Digital Performer. The new Mastering Suite is supported by a new bunch of miscellaneous tools, too, including a new 60/14 audio interface that supports, among other things, LCR, surround panning, a SMPTE timecode generator, and a spinning media disk drive for quickly whipping up a hard drive to track.
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Avid Pro Tools Features
- Stability improvement to Microsoft OneDrive login process
- Dropbox login process stability improvement
- Fix for Google Drive and Dropbox upload freezing
- Windows & Mac client performance increase
- Improved Avid cloud user experience.
What’s new in Avid Pro Tools
- Avid FX 8 Effects plugin.
- Avid DSF-64 multiscreen support.
- Clarity with new Avid Resolve plug-in.
- Hardware acceleration on Linux and Windows (only on Windows 10 and later).
- Anywhere Managers.
- Improved Windows Sound Mixer.
- Many improvements to Pro Tools 8 and Pro Tools 12, and UI improvements throughout.
- And more.
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